Le Corbusier – Entre Deux Portfolio – PL 15

£1,000.00

Le Corbusier Lithograph – Entre Deux Portfolio – PL 15

Year: 1964
Medium: lithograph on Arches paper, signed in the plate
Dimensions: 46 x 35 cm
Publisher: Forces Vives – Genève
Printer: Michel Cassé
Edition : 340
Condition: mint condition
In the 1950s, about the time he was given a commission in Chandigarh, Le Corbusier began drawing bulls, one of his favourite themes. The streets of India, where people and livestock mix, may have had a profound impact on him while he was there. Bulls and cattle are revered in India, dating back to the Indus Valley Civilization (about 2000 BC), when the bull was generally considered as a deity.
THE ARTIST

LE CORBUSIER

b. 1887 La Chaux-de-Fonds, Switzerland

 

Le Corbusier cannot be comprehended without including him as a painter, a draftsman and a graphic artist. Art was the foundation with which he built his architectural work upon and develop his modernist vision. Art inspired Le Corbusier to explore his ideas of architectural space, visions which were completely unique and yet to be realised at the time. He experimented with the dissolution and reconstruction of the three dimensional shapes, which can later be seen in his buildings and even in his urban architectural projects. The development that he underwent as an artist was parallel to his development as an architect. It is not without reason that he placed importance on the statement that the key to his architecture was to be found in his artistic work. Le Corbusier cannot be comprehended without including him as a painter, a draftsman and a graphic artist. Art was the foundation with which he built his architectural work upon and develop his modernist vision. Art inspired Le Corbusier to explore his ideas of architectural space, visions which were completely unique and yet to be realised at the time. He experimented with the dissolution and reconstruction of the three dimensional shapes, which can later be seen in his buildings and even in his urban architectural projects. The development that he underwent as an artist was parallel to his development as an architect. It is not without reason that he placed importance on the statement that the key to his architecture was to be found in his artistic work.
By 1920's Le Corbusier was an established architect, but it wasn't until forty years after his death that he gained recognition for his artwork, and the significance it held in art history. He gained strength and inspiration from his art: for decades he devoted every morning to his artwork. Art was “the key to my existence.”