Le Corbusier – Le Poèmes de l’Angle Droit – Pl 19

£2,100.00

Le Corbusier Lithograph – Le Poèmes de l’Angle Droit – Pl 19

 

Year: 1955
Medium: lithograph on Arches paper
Dimensions: 47 x 36 cm
Illustration : 42 x 32 cm
Publisher : Tériade
Printer: Mourlot
Edition : One from the edition of 250. Signed and numbered on the colophon of the portfolio.
Condition: mint condition
The right angle was a recurring and important philosophical theme in Le Corbusier’s art and architecture throughout his career. This is one of nineteen remarkable colour lithographs which he created between 1947 and 1953 to accompany a series of poems he had written and which were published, together with the poems, in a portfolio entitled “Le Poème de L’Angle Droit” (1955), perhaps the most complete expression of his artistic vision.
THE ARTIST

LE CORBUSIER

b. 1887 La Chaux-de-Fonds, Switzerland

 

Le Corbusier cannot be comprehended without including him as a painter, a draftsman and a graphic artist. Art was the foundation with which he built his architectural work upon and develop his modernist vision. Art inspired Le Corbusier to explore his ideas of architectural space, visions which were completely unique and yet to be realised at the time. He experimented with the dissolution and reconstruction of the three dimensional shapes, which can later be seen in his buildings and even in his urban architectural projects. The development that he underwent as an artist was parallel to his development as an architect. It is not without reason that he placed importance on the statement that the key to his architecture was to be found in his artistic work. Le Corbusier cannot be comprehended without including him as a painter, a draftsman and a graphic artist. Art was the foundation with which he built his architectural work upon and develop his modernist vision. Art inspired Le Corbusier to explore his ideas of architectural space, visions which were completely unique and yet to be realised at the time. He experimented with the dissolution and reconstruction of the three dimensional shapes, which can later be seen in his buildings and even in his urban architectural projects. The development that he underwent as an artist was parallel to his development as an architect. It is not without reason that he placed importance on the statement that the key to his architecture was to be found in his artistic work.
By 1920's Le Corbusier was an established architect, but it wasn't until forty years after his death that he gained recognition for his artwork, and the significance it held in art history. He gained strength and inspiration from his art: for decades he devoted every morning to his artwork. Art was “the key to my existence.”