Le Corbusier – Taureau, 1963

Le Corbusier Lithograph – Taureau, 1963

Year: 1963
Medium: Original lithograph on arches paper, signed and dated in the plate by the artist
Dimensions: 110 x 74 cm
Printer: Mourlot
Publisher: Heidi Weber, Zurich
Reference : Weber 72
Condition: mint condition
Edition: 300 (first edition)
Le Corbusier began depicting bulls, one of his favourite subjects, in the 1950s, around the time he was given a commission in Chandigarh. India’s streets, where people and cattle mix, may have had a significant influence on him while he was there. Bulls and cattle are worshiped in India, beginning with the Indus Valley Civilization (about 2000 BC), the bull was widely regarded as a symbol of strength and fertility in India, as well as in ancient Egypt, and Greece.
By including random things like wine bottles, glasses, tree stumps, and tiny rocks in the arrangements, Le Corbusier encouraged inventiveness in his bulls. He often use the infinity symbol for the bull’s eyes and nostrils, seemingly to imply ancient mythology with the Minotaur’s labyrinth.
His architectural creations also incorporate bulls, which can be interpreted in one of two ways. Sometimes a bull is used as a motif in a sculpture, while other times a horn form is incorporated into the designs.
THE ARTIST

LE CORBUSIER

b. 1887 La Chaux-de-Fonds, Switzerland

 

Le Corbusier cannot be comprehended without including him as a painter, a draftsman and a graphic artist. Art was the foundation with which he built his architectural work upon and develop his modernist vision. Art inspired Le Corbusier to explore his ideas of architectural space, visions which were completely unique and yet to be realised at the time. He experimented with the dissolution and reconstruction of the three dimensional shapes, which can later be seen in his buildings and even in his urban architectural projects. The development that he underwent as an artist was parallel to his development as an architect. It is not without reason that he placed importance on the statement that the key to his architecture was to be found in his artistic work. Le Corbusier cannot be comprehended without including him as a painter, a draftsman and a graphic artist. Art was the foundation with which he built his architectural work upon and develop his modernist vision. Art inspired Le Corbusier to explore his ideas of architectural space, visions which were completely unique and yet to be realised at the time. He experimented with the dissolution and reconstruction of the three dimensional shapes, which can later be seen in his buildings and even in his urban architectural projects. The development that he underwent as an artist was parallel to his development as an architect. It is not without reason that he placed importance on the statement that the key to his architecture was to be found in his artistic work.
By 1920's Le Corbusier was an established architect, but it wasn't until forty years after his death that he gained recognition for his artwork, and the significance it held in art history. He gained strength and inspiration from his art: for decades he devoted every morning to his artwork. Art was “the key to my existence.”