Le Corbusier – Unite Series Plate 1
Le Corbusier Etching – Unite Series Plate 1
A fantastic example of a Le Corbusier etching from the Unite portfolio, printed between 1963 and 1965 with the Crommelynck workshop and edited by A.C. Mazo. Based on a series of pastels, which Le Corbusier created in 1953. The Unite etchings celebrate organic arrangements in compositions which simply and masterfully blend colour, line and form. The Unite portfolio was one of Le Corbusier’s last series before his untimely death in 1965.
This is a highly sought-after series by collectors, Unité is comprised of 20 etchings with aquatints, including 17 colour plates.
THE ARTIST
LE CORBUSIER

b. 1887 La Chaux-de-Fonds, Switzerland
Le Corbusier cannot be comprehended without including him as a painter, a draftsman and a graphic artist. Art was the foundation with which he built his architectural work upon and develop his modernist vision. Art inspired Le Corbusier to explore his ideas of architectural space, visions which were completely unique and yet to be realised at the time. He experimented with the dissolution and reconstruction of the three dimensional shapes, which can later be seen in his buildings and even in his urban architectural projects. The development that he underwent as an artist was parallel to his development as an architect. It is not without reason that he placed importance on the statement that the key to his architecture was to be found in his artistic work. Le Corbusier cannot be comprehended without including him as a painter, a draftsman and a graphic artist. Art was the foundation with which he built his architectural work upon and develop his modernist vision. Art inspired Le Corbusier to explore his ideas of architectural space, visions which were completely unique and yet to be realised at the time. He experimented with the dissolution and reconstruction of the three dimensional shapes, which can later be seen in his buildings and even in his urban architectural projects. The development that he underwent as an artist was parallel to his development as an architect. It is not without reason that he placed importance on the statement that the key to his architecture was to be found in his artistic work.
By 1920's Le Corbusier was an established architect, but it wasn't until forty years after his death that he gained recognition for his artwork, and the significance it held in art history. He gained strength and inspiration from his art: for decades he devoted every morning to his artwork. Art was “the key to my existence.”